We can’t keep raising generations of kids of color on the notion that there’s only room for them to be bad guys or doomed sidekicks #MWW14
— Sarah Cannon (@Saille) July 25, 2014
"When I think about ghost stories, it's more than slamming doors. It's about history and how the past moves with us." #MWW14 @djolder
— Olivia A. Cole (@RantingOwl) July 26, 2014
"Urban books is code for black books. Add fantasy to it and now it's 90% white." @djolder #MWW14
— Sarah Hollowell (@sarahhollowell) July 25, 2014
What? You try to find a picture of a Ghost of Color. Source. |
Salsa Nocturna has two primary protagonists, Carlos, a withdrawn half-dead ghosthunter and Gordo, a laid-back old Cubano who writes music with the dead. Their narratives slowly start to intertwine as they and the other characters deal with paranormal trouble in the streets of New York. The cast is diverse, colourful, heartfelt and often hilarious.
Kids will ask, "Tio Gordo, why you so big?"
And I get real serious looking. "Because I eat so many children."
#SalsaNocturna
— Jackson Eflin (@JacksonEflin) July 29, 2014
I can't say enough about how much I enjoyed reading this book, how thoroughly attached I was to all the characters or their struggles, or how satisfying it was seeing a lot of characters of color managing to one-up their predominantly white bosses or antagonists. That old idea3 that race and class power dynamics persist even into the afterlife says a lot about how pervasive these imbalances are in our world.
Which brings me to the thing about Salsa Nocturna that I want to talk about.
The Publisher's Weekly quote can be read two ways, given the dualistic nature of the word "Original." On the one hand, it means that this work is unlike others. Ghost mammoths, burgundy hurricanes, shape-shifting slave sorcerers, this book is very new. But Older's origins, as a musician, a paramedic, and a man of color are ever present in the narrative. It is original in that it has clear origins. This history saturates the narrative, makes these stories about the dead come alive. Salsa Nocturna isn't afraid of its blatant racial commentary,4 which is why it's very important.
Because here's the skinny: the publishing industry is full of a lot of deeply ingrained racism.5 Writers of color, trying to tell stories about people of color, have a harder time getting published, and when they do they're shelved in their own sections (African-American Lit as opposed to Sci-Fi).
Once again, Native American religions being shelved as folklore but the Bible shelved as religion is telling and political. #MWW14 @djolder
— Olivia A. Cole (@RantingOwl) July 26, 2014
Dealing with this massive problem that haunts the publishing industry is the reason #WeNeedDiverseBooks exists. People reading, and publicaly talking about, books like Salsa Nocturna will help counter the ridiculous notion that "White people can't connect to the stories of People of Colour." So when I say "Everyone, go read Salsa Nocturna", this time I'm not just recommending it as a moving, action-packed urban fantasy novel, I'm recommending it as an actual political act."Do not, under any circumstances, hurt the ghost pachyderm." |
Oh, and watch out for Half-Resurection Blues when it comes out.
Look at that cover.
This cover is gorgeous.
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